1980년대 박완서와 장졔(張潔) 소설에 나타난 여성 이미지 비교 연구
A comparative study of Female image in the Pa rk wan suh and Zhang jie's 1980s novels
초록/요약 도움말
한∙중 양국은 한 줄기의 띠처럼 좁은 강을 끼고 있는 인접국이자 동아시아 문화권에 속한 이웃국가로서 오랜 시간동안 사회, 정치, 경제, 문화 등 여러 방면에서 긴밀하게 연결되어 왔다. 한국과 중국은 옛날부터 유교사상이 성행하였는데 이 영향으로 여성들이 많은 억압과 속박을 당하며 여성의식과 주체성을 박탈당해왔다. 20세기에 한∙중 양국의 정치, 경제, 사회, 문화 등이 빠르게 발전함에 따라 여성문학의 성장도 촉진되었다. 박완서와 장졔(張潔）모두 1970년대에 문단에 데뷔하면서 문학계의 주목을 받았다. 그녀들은 현재 한∙중 양국의 대표적인 여성 작가로서 각각 문학적·문학사적으로 높은 평가를 받고 있다. 그녀들의 소설은 독특한 여성적 시각으로 여성의 삶 속에 닥치는 역경을 관찰하며 여성의 운명을 그려낸다. 이렇듯 박완서와 장졔(張潔)는 각자의 위치에서 여성문학의 발전에 크게 이바지하였기에 한∙중 양국의 대표적인 여성작가로 불리기에 충분하다. 두 작가 모두 1970년대 문단에 등단하여 1980년대부터 활발한 문학창작 활동을 하였으며 비슷한 성장환경 속에서 살아왔다. 이들은 동시대에 각자의 삶을 살아가면서 당시 억압받던 여성의 고통을 문학으로 표현하며 비슷한 인생관과 가치관을 갖고 성장하였다. 본고는 1980년대에 발표된 박완서와 장졔(張潔)의 한∙중 여성소설에 나타나는 여성 이미지를 분석하고 양국의 여성의식을 비교하고자 한다. 먼저 박완서와 장졔(張潔)의 대표적인 작품을 연구 대상으로 삼아 여성 이미지 유형을 분류하고 한∙중 여성소설의 공통점과 차이점을 분석한다. 이를 위해 두 작가의 생애와 한∙중 양국의 시대적·사회적 배경을 결합하여 작품의 유사한 요소와 상이한 요소를 가려내고 그 원인을 탐구한다. 본고는 네 부분으로 구성되었다. Ⅰ장에서 박완서와 장졔(張潔)는 한국과 중국 모두 서구의 페미니즘 문학이론들이 유입되던 1980년대에 여성의 운명, 여성에 대한 억압 등 여성문제에 관심을 두고 여성소설을 발표했음을 분석하였다. Ⅱ장에서는 박완서와 장졔(張潔)의 1980년대 소설 속 여성 이미지 유형의 양상과 특징을 분석하고 비교했다. Ⅲ장에서는 두 작가가 창작한 여성 이미지를 통해 작가의 여성의식을 비교하고 공통점과 차이점을 생기는 원인을 탐구했다. 작가들의 성장과정, 사회제도, 개인경험 등을 바탕으로 두 작가의 여성의식에 나타난 공통점과 차이점을 분석했다. Ⅳ장에서는 앞의 비교 연구의 결과를 요약하였다.
more초록/요약 도움말
With the homogenuous feudalism, suffering from same social constraint, women in korea and China seems to be having the same fate. In contemporary society, especially after the WWII, despite the disparity in the conditions of details, identically, Chinese women and Korean women seem to free from societal constraint in a comparatively same way. In 20th century, with the socioeconomical, political, and cultural development and the development of international feminism literature, Chinese and Korean feminism literature caguht up with the international pace.Chinese and Korean women writer remarkably stood out in the realm of international feminism literature. Zhang Jie and Park wan suh were the impressively notable women writer. They were deemed virtuoso with great prestige in the realm of Chinese and Korean literature. There writing distintion was to focus on representationally women suffering and betray women destiny, which made great contribution to Chinese and Korean literature. They shared a lot in common in their writing, which is embodied in that they embarked on writing when they were middle-aged and had manifestation of the process of ideological growth. Despite the sufficient studies in feminism literature, studies in these two women writers are sparse. This dissertation mainly focuses on the comparative of women character in Zhang Jie Park wan suh’s fiction, utilizing the methodology of parallel comparison and conducting feminism perspective. This paper consists of four parts: the introduction part puts forward the research purpose, research significance and research methods; in the second part, it specifically analyses Park wan suh and Zhang Jie's six novels. This paper classifies and analyses the female images in the novel, and compares these female images. The third part compares the female characters in the novel. The paper analyses and discusses the history, society, cultural background and personal experience of the two women writers and the relation with their creations. By analyzing the writing background and world of the two writers, this paper examines the expression of "female writing", and draws the various features of the "female consciousness" of the two writers. In their writings, the male is pushed to the edge of this article, or put the male role in absent. And use the perspective of female to see men's true colors.
more목차 도움말
Ⅰ. 서론 ··················································································································1
1. 문제제기와 연구목적 ······················································································1
2. 선행연구 검토 ································································································9
3. 연구범위 및 연구방법 ···················································································16
Ⅱ. 여성 이미지 유형의 양상 및 특징 ······································································· 18
1. 박완서 소설 속의 여성 이미지 유형 ································································18
(1) 현모양처 이데올로기의 억압에서 벗어나려는 여성상:『살아 있는 날의 시작』 ···18
(2) 불평등한 결혼생활을 거부하는 신여성상:『서 있는 여자』 ·······························22
(3) 이중적 타자성을 지닌 이혼녀이자 미혼모:『그대 아직 꿈꾸고 있는가』 ·············26
2. 장졔(張潔) 소설 속의 여성 이미지 유형 ··························································29
(1) 주체적 자각을 지닌 이혼녀 :『方舟』 ·····························································30
(2) 순결이데올로기로 억압된 여성상:『七巧板』 ··················································34
(3) 독립된 인격체로서의 미혼모:『祖母绿』 ························································37
3. 박완서와 장졔(張潔) 소설의 여성 이미지 특징 비교 ········································38
(1)‘집안의 천사’와 스테레오 타입에 반하는 여성 ··············································38
(2) 대조적인 여성상을 통한 여성의식 고취 ······················································42
(3) 여성 지식인 주인공 설정 ··········································································45
(4) 이상적인 여성상과 현실적인 여성상 추구 ··················································46
Ⅲ. 여성 이미지를 통한 작가의 여성의식 비교 ·························································50
1. 양성평등 추구 ····························································································50
2. 여성 주체성의 확립 ·····················································································55
3. 남성에 대한 혐오 ························································································60
4. 부권사회에 대한 인식 ··················································································62
5. 성의식에 대한 인식 ·····················································································66
Ⅳ. 결론 ···············································································································69
참고문헌 ··············································································································72
