J.Rodrigo의 Cuatro Madrigales Amatorios에 대한 분석 연구
A Study on the Cuatro Madrigales Amatorios by J. Rodrigo
- 주제(키워드) 도움말 로드리고 , 신고전주의 , 스페인민족주의음악
- 발행기관 강릉원주대학교 일반대학원
- 지도교수 도움말 최현숙
- 발행년도 2015
- 학위수여년월 2016. 2
- 학위명 석사
- 학과 및 전공 도움말 일반대학원 음악과
- 세부전공 성악전공
- 실제URI http://www.dcollection.net/handler/kangnung/000000008050
- 본문언어 한국어
초록/요약 도움말
In 19th century, a trend of Nationalism had appeared in Spainish music, and a group of nationalism musicians have appeared in Spain. Spain’s Nationalism music used folk melody and rhythms and it showed Spanish unique Ethnic sentiments based on their ethnic scales with use of augmented 2nd notes, the E mode system, Gypsy minor scale, and Arabian scale. And this trend has influenced most of Spanish composers of 20th century. Among them, J. Rodrigo is classified as a representative Neoclassical composer in 20th century. He composed music with Nationalism musical elements and Neoclassical techniques. This study is focused on analysing musical contents, musical elements, and musical treatment of lyrics in「Cuatro Madrigales Amatorios」 (Four Madrigals of Love) - 1) ¿Con qué la lavaré? (How to Wash?), 2) Vos me matásteis (You Deprived My Life), 3) ¿De dónde venís, amore? (Where do you come from, my dear?), 4) De los álamos vengo, madre (Beside a Poplar Tree) which composed by J. Rodrigo. And it could make conclusion of the characteristical trend of J. Rodrigo. As the result of analyzing Rodrigo’s「Cuatro Madrigales Amatorios(Four Madrigals of Love), this study found musical characteristics as follows. <The first song> ¿Con qué la lavaré? (How can I Wash?) Its musical characteristics is usage of Arpeggios that could remind of guitar’s Rasgueado technique. And Spanish ornamentations, consecutive progress of simple chord, and use of Stretto technique represent Spanish Nationalism. Second, the song includes classical styles such as contrapuntal contrary motions, modal change to relative key, simultaneously with parallel fifth which shows an influence of Impressionism and many dissonant notes in modern manner. <Second Song> Vos me matáteis (You Deprived My Life) First, it shows the usage of repetition of rhythm and melodies, repetition of lyrics, and usage of Spanish ornamentations, which are elements of Spanish Nationalism. Second, the song utilizes dissonant whole tones, coincident use of dissonant notes and consonant chords, modal change to relative key, contrapuntal imitation and pedal sound in Baroque style. This shows a trend of Neoclassical music. <Third Song> ¿De dónde venís, amore? (Where do you come from, my dear?) First, it shows the elements of Spanish Nationalism with the usage of staccato which reminds of punteado of a guitar, usage of Spanish melisma and ornamentations, and repetition of lyrics. Second, the song utilizes contrapuntal contrary motion in Baroque style and the frequent usage of dissonant notes, poly-rhythms, and bi-tonality in moden manner. Third, there shows parallel eighth which is influenced by Impressionistic music. <Fourth Song> De los álamos vengo, madre (Beside a Poplar Tree) First, this song shows typical elements of Spanish Nationalism with usage of simple code, repetition of same rhythm and melody, Spanish melisma and ornamentations, and repetition of lyrics. It shows the most Spanish Nationalistic music color among the four songs. As the conclusional result, the researcher found that Rodrigo’s「Cuatro Madrigales Amatorios (Four Madrigals of Love) includes the musical characteristics of the Spainish Nationalism and Frech impressionism, and that Neoclassical music elements are expressed very intensively.
more목차 도움말
Ⅰ. 서론 1
1. 연구의 목적 1
2. 연구의 방법과 내용 2
3. 연구의 제한점 2
Ⅱ. 본론 3
1. 스페인 음악의 역사와 특징 3
1) 스페인 음악의 역사 3
2) 스페인 음악의 특징 6
(1)스페인 민속음악의 특징 6
(2)스페인 예술가곡의 역사와 특징 6
2. J. Rodrigo의 생애와 음악적 특징 10
1) J. Rodrigo의 생애 10
2) J. Rodrigo의 음악적 특징 12
3) 신고전주의 음악 17
3. J. Rodrigo의 Cuatro Madrigales Amatorios 의 분석 18
1) Con qu la lavar 19
(1) 내용 21
(2) 형식 21
(3) 음악적 특징 22
(4) 악곡 분석 22
2) Vos me matsteis 28
(1) 내용 31
(2) 형식 32
(3) 음악적 특징 32
(4) 악곡 분석 33
3) De dnde vens, amore 38
(1) 내용 41
(2) 형식 42
(3) 음악적 특징 42
(4) 악곡 분석 42
4) De los lamos vengo, madre 51
(1) 내용 57
(2) 형식 58
(3) 음악적 특징 58
(4) 악곡 분석 58
Ⅲ. 결론 65
Ⅳ. 참고문헌 67
Ⅴ. 영문 초록 69
